Endettement et crédit: des jeunes acculés à la faillite
Le Soleil
et www.danslamargejusquaucou.com/2010
jeudi 18 novembre 2010
Endettement et crédit: des jeunes acculées à la faillite
Endettement et crédit: des jeunes acculés à la faillite
Le Soleil
et www.danslamargejusquaucou.com/2010
mercredi 17 novembre 2010
Jean Paul Gaultier: Beauty and the bad Boy
Jean Paul Gaultier: Beauty and the bad boy
French designer who has always defied convention gets a retrospective in Montreal
Jovial and good-humoured, Jean Paul Gaultier sailed into Montreal last week to work on the upcoming exhibition of his works at the Montreal Museum of Fine Arts.
He was not in his typical striped mariner T-shirt -which is having a thunderous fashion encore at the moment -but in white collar and cuffs beneath a dark crewneck sweater and trousers.
The exhibition, opening next June, is the first major retrospective of his 35 years in the art of provocation through fashion.
Gaultier has challenged conventional norms of beauty throughout his career. Corpulent Beth Ditto of the indie rock band Gossip opened and closed his last pret-a-porter show. Earlier, when it was still quite unfashionable and not politically correct, he used plush models Sophie Dahl and Crystal Renn.
He has put men in skirts and women with cigars in trousers. He has interpreted ethnic dress -Inuit, Japanese, Mexican, Bedouin, African and quite controversially, Hasidic Jews. He has fetishized piercings, tattoos and lingerie.
Most famously, his projectile bra for Madonna on her 1990 Blond Ambition is a true cultural icon.
"I always wanted to show the feminine part of men, the masculine side of women."
"You can perceive beauty everywhere,'' Gaultier said at a session with journalists at the museum.
"I find there is not just one kind of beauty,'' he said on Tout le monde en parle, the must-see Radio-Canada talk show. "You have to feel right in your skin."
It is that tolerant, non-discriminatory vision of beauty that is the icing on the cake to Nathalie Bondil, the museum director who has championed fashion as art to be exhibited.
Bondil, who brought the Yves Saint Laurent show to Montreal in 2008, emphasized her belief in the place of haute couture in the museum as a way to allow the public to understand its discipline, virtuosity and craft.
She praised his tolerant vision of beauty.
"If there is one couturier who says something pertinent, who says something just and who has a vision of society in which we live, or want to live, it is really him,'' Bondil said.
"Jean Paul Gaultier is awaited here like the pope, but people say better than the pope.''
There was much more laughing and joking as curator Thierry-Maxime Loriot and Gaultier outlined the five themes of the exhibition -Paris, Fusions, Multi-Gender, Euro-Trash/X-rated and Metropolis -which will feature 120 ensembles, mainly from the haute couture, with accompanying sketches and excerpts from films, runway shows, concerts and more, designed with Quebec theatre director Denis Marleau.
Gaultier regaled the crowd with tales of how his teddy bear Nana was the prototype for his cone bras, worn not only by Madonna, but by photographer Cindy Sherman and various models.
Nana, which he professes to still have, has little patches high on its chest. "It's a monster,'' Gaultier likes to say.
It was a marvellous collaboration, he said of his work with Madonna: he also dressed her for her Confessions and Drowned World tours.
She would tell him, "You are the only one who never broke my heart,'' Gaultier recalled.
On the corset, which he has reinvented over the years, including on burlesque artist Dita Von Teese in his haute couture show in July, he said: "The corset can rectify the body.''
Gaultier has visited Montreal often over the years, and two of his model muses, Eve Salvail and Francisco Randez, are from this city. He said he was surprised and flattered to be invited to have a retrospective here, noting that Britain and North America both embraced him early,
"In France, we are educated (to believe) Canadians are our little cousins,'' he said.
"We all realize that you are not as snobbish. It's like New York, but it's not New York.
"It's a nice mirror of ourselves.''
Asked about his unflinching good humour, Gaultier replied that he is living his childhood dream, and has never given up his teddy bear.
He has no complaints.
"Of course, in life I had some bad moments. But I realized my dreams,'' he said chuckling constantly.
The Fashion World of Jean Paul Gaultier: From the Sidewalk to the Catwalk, runs June 17 to Oct. 2, 2011. It then travels to Dallas, San Francisco and Europe. For more on Jean Paul Gaultier, click here for his official site.
efriede@montrealgazette.com
He was not in his typical striped mariner T-shirt -which is having a thunderous fashion encore at the moment -but in white collar and cuffs beneath a dark crewneck sweater and trousers.
The exhibition, opening next June, is the first major retrospective of his 35 years in the art of provocation through fashion.
Gaultier has challenged conventional norms of beauty throughout his career. Corpulent Beth Ditto of the indie rock band Gossip opened and closed his last pret-a-porter show. Earlier, when it was still quite unfashionable and not politically correct, he used plush models Sophie Dahl and Crystal Renn.
He has put men in skirts and women with cigars in trousers. He has interpreted ethnic dress -Inuit, Japanese, Mexican, Bedouin, African and quite controversially, Hasidic Jews. He has fetishized piercings, tattoos and lingerie.
Most famously, his projectile bra for Madonna on her 1990 Blond Ambition is a true cultural icon.
"I always wanted to show the feminine part of men, the masculine side of women."
"You can perceive beauty everywhere,'' Gaultier said at a session with journalists at the museum.
"I find there is not just one kind of beauty,'' he said on Tout le monde en parle, the must-see Radio-Canada talk show. "You have to feel right in your skin."
It is that tolerant, non-discriminatory vision of beauty that is the icing on the cake to Nathalie Bondil, the museum director who has championed fashion as art to be exhibited.
Bondil, who brought the Yves Saint Laurent show to Montreal in 2008, emphasized her belief in the place of haute couture in the museum as a way to allow the public to understand its discipline, virtuosity and craft.
She praised his tolerant vision of beauty.
"If there is one couturier who says something pertinent, who says something just and who has a vision of society in which we live, or want to live, it is really him,'' Bondil said.
"Jean Paul Gaultier is awaited here like the pope, but people say better than the pope.''
There was much more laughing and joking as curator Thierry-Maxime Loriot and Gaultier outlined the five themes of the exhibition -Paris, Fusions, Multi-Gender, Euro-Trash/X-rated and Metropolis -which will feature 120 ensembles, mainly from the haute couture, with accompanying sketches and excerpts from films, runway shows, concerts and more, designed with Quebec theatre director Denis Marleau.
Gaultier regaled the crowd with tales of how his teddy bear Nana was the prototype for his cone bras, worn not only by Madonna, but by photographer Cindy Sherman and various models.
Nana, which he professes to still have, has little patches high on its chest. "It's a monster,'' Gaultier likes to say.
It was a marvellous collaboration, he said of his work with Madonna: he also dressed her for her Confessions and Drowned World tours.
She would tell him, "You are the only one who never broke my heart,'' Gaultier recalled.
On the corset, which he has reinvented over the years, including on burlesque artist Dita Von Teese in his haute couture show in July, he said: "The corset can rectify the body.''
Gaultier has visited Montreal often over the years, and two of his model muses, Eve Salvail and Francisco Randez, are from this city. He said he was surprised and flattered to be invited to have a retrospective here, noting that Britain and North America both embraced him early,
"In France, we are educated (to believe) Canadians are our little cousins,'' he said.
"We all realize that you are not as snobbish. It's like New York, but it's not New York.
"It's a nice mirror of ourselves.''
Asked about his unflinching good humour, Gaultier replied that he is living his childhood dream, and has never given up his teddy bear.
He has no complaints.
"Of course, in life I had some bad moments. But I realized my dreams,'' he said chuckling constantly.
The Fashion World of Jean Paul Gaultier: From the Sidewalk to the Catwalk, runs June 17 to Oct. 2, 2011. It then travels to Dallas, San Francisco and Europe. For more on Jean Paul Gaultier, click here for his official site.
efriede@montrealgazette.com
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mardi 16 novembre 2010
Le coeur d'Auschwitz
Brève cinéma
ARTICLE - 11 novembre 2010
Guillaume Fournier
Le jour de ses 20 ans, Fania Feiner reçoit une carte de souhaits en forme de coeur, véritable bijou d'artisanat. Rien d'exceptionnel à la chose, sinon qu'elle est alors emprisonnée à Auschwitz, et que pour confectionner l'objet, ses camarades ont littéralement dû risquer leur vie à de nombreuses reprises. L'objet, qui a traversé les plus terribles épreuves, est aujourd'hui exposé au Centre commémoratif de l'Holocauste de Montréal. Fasciné par la puissance du symbole, le documentariste Carl Leblanc s'est lancé sur la piste des signataires, à la recherche de survivantes, façon pour lui de rappeler l'horreur, mais surtout de sublimer la beauté de la résistance. Effort louable, qui n'est pas toujours soutenu par la technique et qui sombre légèrement dans le mélodrame en fin de parcours, mais qui demeure honnête et toujours terriblement nécessaire.Guillaume Fournier
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